Get all 17 Louth Contemporary Music Society releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of FOLKS' MUSIC, Terry Riley IN C Irish, Wall of Athanasius, Bára Gísladóttir & Skúli Sverrisson Live from the Spirit Store, Flow, I Listened to the Wind Again, Lenguas de Fuego, Cantares de la Frontera, and 9 more.
Louth Contemporary Music Society Dundalk, Ireland
I would say the Louth CMS is particularly significant because of the dedication, love and devotion that drives Eamonn Quinn to seek out special musicians to bring to his corner of the world. These choices are made on musical worth regardless of their commercial potential. It is these kind of risks that keep music alive. Composer – Terry Riley ... more
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Julius Eastman Vol. 1: Femenine
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supported by 8 fans who also own “Irish Landscape with Rain”
This is one of the most exciting cds I've heard in ages and I feel LUCKY to have discovered Wild Up and their recordings of Julius Eastman. Wow!!
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Julius Eastman Vol. 3: If You're So Smart, Why Aren't You Rich?
by Wild Up
supported by 7 fans who also own “Irish Landscape with Rain”
Another part of this project's extensive dedication to the works of the truly great Julius Eastman, whose legend and status as one of America's major composers grows expidentially with the passing of each and every year.
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Julius Eastman Vol. 2: Joy Boy
by Wild Up
supported by 7 fans who also own “Irish Landscape with Rain”
Brilliant second part to what is shaping up to be an essential retrospective series. 'Buddha (Field)' is THE ONE.
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Afterimage (잔상; 殘像): From Bach to Brouwer
by Bon Ha Gu
Classical guitarist Bon Ha Gu brings intimacy and warmth to works from baroque to contemporary.
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A cycle of 9 duets, “Isolario” is by turns intricate, sparse, mysterious, and moving.
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Landvættirnar fjórar
by Guðmundur Steinn Gunnarsson
Icelandic composer Gudmundur Steinn Gunnarsson builds playful, experimental motifs around 13th-century mythological creatures.
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supported by 7 fans who also own “Irish Landscape with Rain”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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